ANYWAY! I never cared for Deadpool because I felt his overall design was unappealing (cheap Deathstroke knock-off), his powerset was ill-defined and weird in the way of most 90s Marvel mutant characters, and he always seemed to be featured in punny-not-funny stories that were clearly outside continuity.
I started to get the appeal a bit after reading his appearances in Rick Remender's run on Uncanny X-Force. Deadpool worked in there. I kinda thought it was just due to the situation in that particular book by that particular writer.
Then I read the most recent run on Thunderbolts, written by Daniel Way and later by Charles Soule. I liked Deadpool there too, especially his interactions with the non-mutant portion of the Marvel universe.
So I decided to give Deadpool's main series a try, starting with the storyline called "The Good, The Bad, and The Ugly", which involves, in the broadest terms possible, Deadpool going to North Korea to look for his daughter, accompanied by Captain America and Wolverine.
This storyline was action packed, funny, and emotionally moving. What more could you want, right? So now I quite like Deadpool.
Here is my fave panel from issue #22. This made me crack up but it probably won't make too much sense out of context, even though Deadpool explains it all with dialogue in-panel Art by Mike Hawthorne, colours by Jordie Bellaire.
There he is, flying along in Phil Coulson's car. Hee hee hee! Delightful!
Anyway. I like Deadpool.
Anyway. I like Deadpool.
Added bonus contextually hilarious panel from Thunderbolts # 15, written by Soule, art by Jefte Palo.
Oddly enough, both the above panels are from stories in which Deadpool uses a hansom cab. Is that his signature vehicle? If not, it should be.
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